If like me you couldn’t make it to CTNX this year, don’t despair. Tina Price and her crew are offering a free broadcast with demos and live interviews of several participants. Click on the following picture to access it. I think you can also ask questions in realtime….. too bad I only realized that late yesterday.
There is also a paying option to access some of the conferences Live and On Demand for $55 but I can’t find much informations about it. I think it is only the main conferences held in the Marriott’s ballroom. It is a pretty cool option as it is like being at CTN and avoiding the schedules reshuffles, long queues and accompanying queue jumpers without paying for the unattainable VIP pass ;-)
It would be awesome if the conferences held in the tents and secondary venues were also broadcast as those were just as much interesting and sometimes even better last year.
Here is where you would order the paying option and I have been told the content will still be available 15 days after the show ends.
Thanks Tina, your crew and all the volunteers. With the addition of the live broadcast and recording, CTN is definitely a one of a kind event.
Back from CTN 2012
Just to let you know, I have decided to slow down the amount of posts related to animation news in order to dedicate my rare free time to my portfolio and showreel.
I should however direct you to three great websites that should get you covered with everything that goes on in the Animation industry. Splinebomb, Cartoon Brew and for the Spanish speakers, Arte y Animación.
Ah I was forgetting Jean-Denis Haas’ Spungella.
Arte y animacion just posted a cool 12 minutes video podcast by the way. A nice interview with Carlos and Jordi Grangel, the Directors of Grangel Studio
To my RSS addicts friends. With Google killing Google Reader in few month, what are your plans for the aftermath? Feedemon relying on Google Reader, I am out of luck and will need to switch to something else (Windows user here)
Summer is gone, time for a Box office grosses update with a lot of surprises. I decided to add the domestic grosses as those numbers could be particularly useful to understand the trend.
at M $337, one of the surprises was the really low score made by Lorax despite a record opening week-end in the US that pretty much covered their budget. With a 3+ month gap between the US release and the rest of the world, I wouldn’t be surprised if piracy has had a significant impact but we should also remember that Dr Seuss’s books are completely unknown outside the USA. Some people also got put off by the fact the movie was peppered with several musical sequences.
I think Madagascar 2 is superior than Madagascar 3 but the sequel was extremely well received by the public this summer. Proof that animators are not the best judges to what will sell?
I was also surprised to see that Ice Age 4 still does very well with the public, especially on the foreign market. As a matter of fact, Ice Age 4 made more money than what Lorax and ….. Brave together.
Pixar’s Brave is still showing across the world (I saw it this afternoon one more time) but the movie is really far from the score achieved by Toy Story 3. At M $500, Brave has made slightly more than Toy Story 2 and a little bit less than Wall-E. Who would have thought?
Here is the latest chart and I am attaching a pdf file with the complete chart starting in 2008 with hyperlinks to the related Boxofficemojo pages.
I just saw an article on Animation Magazine announcing Dreamworks’ 12 next pictures.
Here is the important part:
The movies and their release dates are:
The Croods (March 22, 2013)
Turbo (July 19, 2013)
Mr. Peabody & Sherman (Nov. 1, 2013)
Me and My Shadow (March 14, 2014)
How to Train Your Dragon 2 (June 20, 2014)
Happy Smekday! (Nov. 26, 2014)
The Penguins of Madagascar (March 27, 2015)
Trolls (working title, June 5, 2015)
B.O.O: Bureau of Otherworldly Operations (Nov. 6, 2015)
Mumbai Musical (working title, Dec. 19, 2015)
Kung Fu Panda 3 (March 18, 2016)
How to Train Your Dragon 3 (June 18, 2016)
With 3 to 4 movies released per year, Dreamworks will certainly become the busiest studio in the next few years offering a hell of opportunity for animators and artists.
It has been three month since my last Feature animation Box office grosses summary. Let’s do a recap before Lorax numbers come in today. Remember? The grumpy orange furry guy is coming out today!
It will be interesting to see if the closing of Megaupload, Megavideo and other file sharing websites will have an effect on box office grosses. I bet it will.
As you can see I have added more movies so we can see a clear picture of the entire Feature animation industry. I have planned to add “the Simpsons Movie” since they have done very well. To be fair, I will probably have to add The Smurfs and other live action movies mixed with animation. We will see…
As I very often check the box offices grosses of my favorite animated features, I decided to finally organize those information in a centralized/easy to read table and share it with you. I will post the updated table on my blog every few month and maybe add older features.
As of December 15th 2011 and by release date.(source: BoxofficeMojo.com)
You will find a ranking of the different movies by lifetime grosses at the following address, unfortunately it only for domestic revenues :
Well it looks like folks outside the country of smelly cheeses will also be able to enjoy Eric Bergeron’s “A monster in Paris” feature!
An 1080p English trailer just popped out and I am finally understanding why the lip sync was off in the French version… they animated with the English audio! :-) Surprisingly, the songs were also written in English. It is a good thing they had such a fabulous composer/singer as M.!
Some of the lip sync is a bit too symmetrical in places but this is looking pretty good overall. I missed last sunday’s première but I hope to catch the general release very soon.
We can say whatever we want about Europa corp. at least they made the movie come out and probably get released worldwide.
Hopefully this will attract more investors to the French feature animation industry. Wouldn’t it be great if we didn’t need to emigrate to the US to work on similar projects or command higher wages?
Talking about the USA, the TAG 2011 Wage survey just came out.
TAG 2011 Wage survey highlights
Great charts I found on my friend Martin’s blog
This chart is even more interesting as it shows that Despicable Me, at $541Millions, generated a bit more money than WallE and a bit less than Ratatouille.
Would this mean that we could finally see a european competitor to Dreamworks, Pixar, Blue Sky and Sony?
The magic of IP
This article by Dreamworks animator Cameron Fielding is a very good read for people hoping to one day work in the US.
AWN published a short but very interesting article on the partnership between Chris Meledandri and french animation studio Mac Guff and the technical and financial challenges of making an independent animated feature. Check this out