Behind the scenes are very rare those days compared to 10 years ago where you could get 10 hours of extra features on the additional DVDs so let’s celebrate the ones available.
As an animator and hopeful storyboard artist, I am mostly interested in the nitty gritty of animation related stuff and storyboarding and this video happens to have a bit of both.
I find it interesting to see storyboard artist (mostly female yay) working together in a room, with Sharpies on paper, but this makes sense as it probably is a brainstorming session to work on a specific scene. I wonder if they will scan the drawings next or just redraw them on the computer, probably the latter.
Animation wise, except few seconds with fellow Animation Mentor graduate Kira Lehtomaki, there isn’t much to see however, I am still finding some material worth a look. In feature animation it is not rare for animators to use footage from actors reading their dialogue for their acting so I can’t wait to see how much the animators derived from it as the hand gestures here in the video are mostly contrived, symmetrical and unappealing due to the fact the actor are just focusing on their lines.
We hardly ever hear how stand up comedians and comedy writers work out their jokes so this is a short but pretty interesting video I think where Jerry Seinfield explains his thought process.
The video is pretty short but offers a starck contrast with an other New York Times interview where Seinfield’s co-creator Larry David explains his work practices. Skip to 7mins20 to hear his explanation ;-)
In order to broaden my range of skills and improve my employability I have started making comics. I think this could be a great training for storyboarding. My storyboarding teacher Steven MacLeod told us how much it helped him to clean up his boards so that should work for me too.
Here is the first story, well the first part. The first panels were drawn in Photoshop and the last one in PaintToolSAI. If you are a Twitter subscriber you have already seen some pictures I posted few weeks ago, that software is great.
Forgive the rudimentary colors and inking, I am really new to all of that and few month ago I couldn’t even draw with a wacom tablet. Things will get better with practice.
The second page will be uploaded tomorrow (I’d better finish it! ;-)). Enjoy
Great 58 mins interview with Brave’s Director Mark Andrews at the Google campus. Not your average, “how difficult was it to make Merida’s hair?” kind of questions fortunately.
There was also a tricky question at the very end regarding the Japanese trailer and I let you find out how he got out of it.
Few weeks ago, Karim my younger brother from an other mum and dad, reminded me that Mark Andrews (aka Mandrews) and Ted Mathot had been interviewed by Andrew Gordon for a great Story Splinecast back in 2007.
I had completely forgotten about that one and was surprised to see that I even left a blurb in the comment section ;-)
With the release of Brave which Mandrews directed, I HAD to listen to that interview again and I certainly had forgotten all the great gems it contained and how different Mandrews profile is compared to other Pixar directors. Well we didn’t know he would go on directing a Pixar movie in 2007 and I expected him to go on directing live action instead.
The little gem I wanted to shed light on today is the one where he talks about the “180 degree rule”. Some directors Mandrews worked with would never break it but others seem to be a bit more partial. Check it out
I would recommend you to listen to the entire Spline cast.
This is part 03. I started to use a more classic Photoshop brush, I am still not sure which one looks best, not that I am fluent with any of them though ;-)
This is the second panel, you read it from left to right.
You saw it here first ! ;-)
Just so you don’t get mistaken, this is a short film I am working on. Well, I am only interested in telling stories those days so it might just stay in the state of boards.
This is the first time I use Photoshop for storyboarding so bare with me if it looks a bit rough. I will probably do a clean up version afterwards anyway. I have few more sheets coming in the next few days and you can expect the character design and the drawing style to change a bit as we go along. Let me know what you think!
Working on a new short film and a series of comics stips, I am really into story and storyboarding those days so expect several posts about the topic.
If the only copy of Incredibles you have is a pirated version without the exceptional behind the scenes (they don’t do extras like this anymore unfortunately), then you probably don’t know how intense Mark Andrews can be.
You are in luck though, someone just posted part of a lecture he gave at Calart.
As a Splinedoctor podcasts listener, you know there is a new trend at Pixar where people don’t pitch storyboards by performing as an actor in front of the audience anymore. Instead they totally down-play the pitch and that is exactly what Andrews does here.
An other interesting note is, DO NOT THUMBNAIL! Thumbnailing is about being precious. Instead you must draw rough. You must communicate your ideas as fast as possible so the bad ideas get put aside quickly.
Check it out, it is very entertaining and as a side note, it looks like Michael Giacchino is in the audience with his kid.