Aurélien Prédal is a Gobelins graduate whose work you might have come across in 2006 as he took part in one of my all time Gobelins favorite shortfilms : “Burning Safari”. (“Le building”) is also a top favorite Gobelins short)
Aurélien was involved in the never ending production of french animated feature “A monster in Paris” and he just posted some unbelievable colour keys he made for the movie.
If you are interested in painting or lighting you should definitely have a look at his blog, his work is exceptional. To me he is just as good as people with 5+ years of experience and he probably made those colour keys, two to three years after graduating.
If you didn’t know, Aurélien was also a contributor to the Sketchtravel project.
As a side note, with 1.7 millions tickets sold, the movie did very well in France but so far it hasn’t covered the 27 millions euros the movie cost, making it a loss for the production company, Europa Corp.
A US release would be really expensive for Luc Besson’s company but they could probably do a UK release first. The British market is usually the second biggest territory in term of sales, ahead of Japan.
That’s it! There won’t be any more delays, the movie is coming out at the end of the year and Europa corp finally released a trailer in french. I feel that “Monstre à Paris”, a movie that was first started in 2007, is showing a bit of age compared to animated blockbusters like Kung Fu Panda 2 but hopefully the very stylised art style and european flair will make the movie stand out from the competition.
I wrote several posts related to the movie in the past, you should be able to find them all by doing a search on my blog . I am really liking that trailer and the music is very catchy. CG animation lovers are really being spoilt those days!http://www.youtube.com/watch?v=et1T4c-BNUk
Some more videos on Catsuka.
Ah ah! I just found a very short clip from “Monstre à Paris” on Zalex’s lighting showreel! ;-)
This is Vanessa Paradis’ character singing.
[update]this post is gaining a lot of popularity those days so I would like to point the readers to an older post with an other clip from the movie
well well well, it looks like “A monstre in Paris” is still going despite all the problems the production went through and that s a good thing since what I saw at Annecy few years ago was really really cool
Curious about “Monstre à Paris”? Max Vallon, one of the animators just posted a short video clip from the teaser that was shown in Annecy last year. The animation is 3d and the backgrounds are matte painted/camera mapped. For having seen the whole sequence, I can tell you that the rest is even better.
[update] most links are dead but I just found a video on youtube
Un monstre a Paris
Since I first saw some animation test and renderings of this feature, I fell in love with it. The story takes place at the begining of the 20th century in Paris, at the time of the Moulin Rouge and the universal exhibition.
The movie is directed by Eric Bergeron “Bibo”, ex Dreamworks director on “The Road to Eldorado” and “Shark Tales”. I wasn’t moved much by the story on Shark Tales but I really liked the work done by the concept artists and the designs. “Eldorado” is also one of my favourite 2d cartoons.
The production is said to be starting in Septembre in Nice (France).
The website for the movie seems to be down at the moment but you can always have a look at Bibo films website
here is a list of blogs from people involved in its production, gorgeous work:
ex Gobelin Aurelien Predal
Monstre a Paris short clip
For this first week, our teacher Nathan Fowkes asked us to do 12 under one hour studies of photographs, paintings or any reference that we found interesting.
I have been collecting color scripts and movies screenshots for quite a while so finding references wasn’t difficult. Painting was an other story… I have a whole set of clean-up brushes for character designs but when it comes to painting, I realised all my brushes were of no use and had to find some new ones more appropriate for that kind of exercise. I also had no clue how to go about painting in Photoshop but my knowledge in oil painting and lighting came pretty handy.
Here is what I submitted for this week. The first one took me a very long time to do and I didn’t have time to adjust the colours but luckily I became much faster after having done several and the last ones were more enjoyable. You should try, it is a fun exercise. For each study I tried to work on something different, SSS, backlighting, color scheme…
Credits: Aurélien Prédal (1/2/5), Joaquin Sorolla , Roger Deakins (3/4)), Robert Richardson (7/9/10/11)
Well it looks like folks outside the country of smelly cheeses will also be able to enjoy Eric Bergeron’s “A monster in Paris” feature!
An 1080p English trailer just popped out and I am finally understanding why the lip sync was off in the French version… they animated with the English audio! :-) Surprisingly, the songs were also written in English. It is a good thing they had such a fabulous composer/singer as M.!
Some of the lip sync is a bit too symmetrical in places but this is looking pretty good overall. I missed last sunday’s première but I hope to catch the general release very soon.
We can say whatever we want about Europa corp. at least they made the movie come out and probably get released worldwide.
Hopefully this will attract more investors to the French feature animation industry. Wouldn’t it be great if we didn’t need to emigrate to the US to work on similar projects or command higher wages?
Talking about the USA, the TAG 2011 Wage survey just came out.
TAG 2011 Wage survey highlights
I am such a fan boy ;-)
Here is a music video clip from French animated feature “Un monstre à Paris” and performed by Vanessa Paradis and composer M, who are respectively voicing Lucile and Francoeur (the creature). La Seine is the river that flows through Paris and also the french for stage. The lip sync is not very accurate but the video is gorgeous.
I love that track…
Monstre à Paris
[this article will be revisited everytime I have some updates as well as my Public Review on the Animation Mentor workspace so keep an eye on the following post.]
Since I pretty much do Walk cycles for a living, I got really excited when the Spline Doctors started a contest few weeks ago.
This should allow me to demonstrate my understanding on walks but also to add a bit of acting. Isn’t it what this challenge is about rather than just a 24 frames cycle?
Because I intend to have some facial animation and since the walk might be used for an article, I thought I would be better off using the Norman rig rather than Bishop or a self made one using abAutorig. Norman is also pretty generic and adapts very well to modifications so it is easy to make it look less…. “stock” ;-)
Out of the 4 choices, I chose the Period character from the Victorian era for the following reasons:
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